{"id":"https://openalex.org/W7225637844","doi":"https://doi.org/10.3390/arts15110261","title":"The Fragmentation of Visual Experience in the Work of Rebecca Salvadori: Between Video Art, Documentary and Performance","display_name":"The Fragmentation of Visual Experience in the Work of Rebecca Salvadori: Between Video Art, Documentary and Performance","publication_year":2026,"publication_date":"2026-11-09","ids":{"openalex":"https://openalex.org/W7225637844","doi":"https://doi.org/10.3390/arts15110261"},"language":"en","primary_location":{"id":"doi:10.3390/arts15110261","doi":"https://doi.org/10.3390/arts15110261","is_oa":true,"landing_page_url":"https://doi.org/10.3390/arts15110261","pdf_url":null,"source":{"id":"https://openalex.org/S4210232029","display_name":"Arts","issn_l":"2076-0752","issn":["2076-0752"],"is_oa":true,"is_in_doaj":true,"is_core":false,"listed_in":["anvur-scientific","doaj","jufo-1","poland-140","russia-white-list-2","vabb-shw"],"host_organization":"https://openalex.org/P4310310987","host_organization_name":"Multidisciplinary Digital Publishing Institute","host_organization_lineage":["https://openalex.org/P4310310987"],"host_organization_lineage_names":["Multidisciplinary Digital Publishing Institute"],"type":"journal"},"license":"cc-by","license_id":"https://openalex.org/licenses/cc-by","version":"publishedVersion","is_accepted":true,"is_published":true,"raw_source_name":"Arts","raw_type":"journal-article"},"volume":null,"type":"article","is_traditional":true,"indexed_in":["crossref","doaj"],"open_access":{"is_oa":true,"oa_status":"gold","oa_url":"https://doi.org/10.3390/arts15110261","any_repository_has_fulltext":false},"authorships":[{"author_position":"first","author":{"id":"https://openalex.org/A5064338852","display_name":"A. Petracca","orcid":"https://orcid.org/0000-0002-8533-4354","observed_orcids":["https://orcid.org/0000-0002-8533-4354"]},"institutions":[],"countries":[],"is_corresponding":true,"raw_author_name":"Anna Clara da Silva Petracca","raw_affiliation_strings":["Centro de Investiga\u00e7\u00e3o em Artes e Comunica\u00e7\u00e3o (CIAC-Polo UMAIA), Universidade da Maia, 4475-690 Maia, Portugal"],"raw_orcid":"https://orcid.org/0000-0002-8533-4354","affiliations":[{"raw_affiliation_string":"Centro de Investiga\u00e7\u00e3o em Artes e Comunica\u00e7\u00e3o (CIAC-Polo UMAIA), Universidade da Maia, 4475-690 Maia, Portugal","institution_ids":[]}]}],"institutions":[],"countries_distinct_count":0,"institutions_distinct_count":0,"corresponding_author_ids":["https://openalex.org/A5064338852"],"corresponding_institution_ids":[],"apc_list":{"value":1400,"currency":"CHF","value_usd":1689},"apc_paid":{"value":1400,"currency":"CHF","value_usd":1689},"fwci":0.0,"has_fulltext":false,"cited_by_count":0,"citation_normalized_percentile":{"value":0.0,"is_in_top_1_percent":false,"is_in_top_10_percent":false},"cited_by_percentile_year":null,"biblio":{"volume":"15","issue":"11","first_page":"261","last_page":"261"},"is_retracted":false,"is_paratext":false,"is_xpac":false,"primary_topic":{"id":"https://openalex.org/T12632","display_name":"Visual Culture and Art Theory","score":0.453900009393692,"subfield":{"id":"https://openalex.org/subfields/1213","display_name":"Visual Arts and Performing Arts"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},"topics":[{"id":"https://openalex.org/T12632","display_name":"Visual Culture and Art Theory","score":0.453900009393692,"subfield":{"id":"https://openalex.org/subfields/1213","display_name":"Visual Arts and Performing Arts"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},{"id":"https://openalex.org/T12803","display_name":"Cinema History and Criticism","score":0.18050000071525574,"subfield":{"id":"https://openalex.org/subfields/1213","display_name":"Visual Arts and Performing Arts"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},{"id":"https://openalex.org/T14002","display_name":"Art, Technology, and Culture","score":0.10029999911785126,"subfield":{"id":"https://openalex.org/subfields/1213","display_name":"Visual Arts and Performing Arts"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}}],"keywords":[{"id":"https://openalex.org/keywords/video-art","display_name":"video art","score":0.7929999828338623},{"id":"https://openalex.org/keywords/documentary-representation","display_name":"documentary representation","score":0.6769999861717224},{"id":"https://openalex.org/keywords/performance-art","display_name":"performance art","score":0.8560000061988831},{"id":"https://openalex.org/keywords/post-digital-art","display_name":"post-digital art","score":0.6570000052452087},{"id":"https://openalex.org/keywords/embodied-perception","display_name":"embodied perception","score":0.9380000233650208},{"id":"https://openalex.org/keywords/temporal-organization","display_name":"temporal organization","score":0.6359999775886536},{"id":"https://openalex.org/keywords/personal-archives","display_name":"personal papers","score":0.8230000138282776},{"id":"https://openalex.org/keywords/collaborative-art-practice","display_name":"collaborative art practice","score":0.5550000071525574},{"id":"https://openalex.org/keywords/messenger","display_name":"messengers","score":0.9110000133514404}],"concepts":[{"id":"https://openalex.org/C134141054","wikidata":"https://www.wikidata.org/wiki/Q965415","display_name":"Performative utterance","level":2,"score":0.7853999733924866},{"id":"https://openalex.org/C2776327626","wikidata":"https://www.wikidata.org/wiki/Q3627138","display_name":"Performativity","level":2,"score":0.7560999989509583},{"id":"https://openalex.org/C132829578","wikidata":"https://www.wikidata.org/wiki/Q581151","display_name":"Situated","level":2,"score":0.7229999899864197},{"id":"https://openalex.org/C100609095","wikidata":"https://www.wikidata.org/wiki/Q1335050","display_name":"Embodied cognition","level":2,"score":0.623199999332428},{"id":"https://openalex.org/C144024400","wikidata":"https://www.wikidata.org/wiki/Q21201","display_name":"Sociology","level":0,"score":0.5249000191688538},{"id":"https://openalex.org/C191015642","wikidata":"https://www.wikidata.org/wiki/Q1132459","display_name":"Fragmentation (computing)","level":2,"score":0.49779999256134033},{"id":"https://openalex.org/C12713177","wikidata":"https://www.wikidata.org/wiki/Q1900281","display_name":"Perspective (graphical)","level":2,"score":0.4634000062942505},{"id":"https://openalex.org/C153349607","wikidata":"https://www.wikidata.org/wiki/Q36649","display_name":"Visual arts","level":1,"score":0.4334000051021576},{"id":"https://openalex.org/C2778734905","wikidata":"https://www.wikidata.org/wiki/Q15130689","display_name":"Reinterpretation","level":2,"score":0.42419999837875366},{"id":"https://openalex.org/C11903924","wikidata":"https://www.wikidata.org/wiki/Q7168264","display_name":"Performance studies","level":2,"score":0.42179998755455017},{"id":"https://openalex.org/C2776997653","wikidata":"https://www.wikidata.org/wiki/Q149010","display_name":"Trilogy","level":2,"score":0.4203000068664551},{"id":"https://openalex.org/C56666940","wikidata":"https://www.wikidata.org/wiki/Q788790","display_name":"Documentation","level":2,"score":0.41519999504089355},{"id":"https://openalex.org/C2775977372","wikidata":"https://www.wikidata.org/wiki/Q17147499","display_name":"Visual research","level":2,"score":0.38499999046325684},{"id":"https://openalex.org/C107038049","wikidata":"https://www.wikidata.org/wiki/Q35986","display_name":"Aesthetics","level":1,"score":0.37130001187324524},{"id":"https://openalex.org/C117797892","wikidata":"https://www.wikidata.org/wiki/Q286363","display_name":"Shadow (psychology)","level":2,"score":0.36010000109672546},{"id":"https://openalex.org/C2779742141","wikidata":"https://www.wikidata.org/wiki/Q7575076","display_name":"Spectacle","level":2,"score":0.34929999709129333},{"id":"https://openalex.org/C120936955","wikidata":"https://www.wikidata.org/wiki/Q2155640","display_name":"Empirical research","level":2,"score":0.3395000100135803},{"id":"https://openalex.org/C14224292","wikidata":"https://www.wikidata.org/wiki/Q13600188","display_name":"Conceptual framework","level":2,"score":0.3353999853134155},{"id":"https://openalex.org/C199033989","wikidata":"https://www.wikidata.org/wiki/Q1318295","display_name":"Narrative","level":2,"score":0.3278000056743622},{"id":"https://openalex.org/C190248442","wikidata":"https://www.wikidata.org/wiki/Q839486","display_name":"Qualitative research","level":2,"score":0.32010000944137573},{"id":"https://openalex.org/C111472728","wikidata":"https://www.wikidata.org/wiki/Q9471","display_name":"Epistemology","level":1,"score":0.3183000087738037},{"id":"https://openalex.org/C2778971194","wikidata":"https://www.wikidata.org/wiki/Q1664551","display_name":"Insider","level":2,"score":0.3174999952316284},{"id":"https://openalex.org/C29595303","wikidata":"https://www.wikidata.org/wiki/Q165650","display_name":"Media studies","level":1,"score":0.31349998712539673},{"id":"https://openalex.org/C527412718","wikidata":"https://www.wikidata.org/wiki/Q855395","display_name":"Interpretation (philosophy)","level":2,"score":0.3116999864578247},{"id":"https://openalex.org/C147675338","wikidata":"https://www.wikidata.org/wiki/Q421953","display_name":"Actor\u2013network theory","level":2,"score":0.30079999566078186},{"id":"https://openalex.org/C2779702343","wikidata":"https://www.wikidata.org/wiki/Q1166770","display_name":"Depiction","level":2,"score":0.30070000886917114},{"id":"https://openalex.org/C189645446","wikidata":"https://www.wikidata.org/wiki/Q350865","display_name":"Mirroring","level":2,"score":0.2833000123500824},{"id":"https://openalex.org/C142362112","wikidata":"https://www.wikidata.org/wiki/Q735","display_name":"Art","level":0,"score":0.2721000015735626},{"id":"https://openalex.org/C2781226546","wikidata":"https://www.wikidata.org/wiki/Q886106","display_name":"Bluff","level":2,"score":0.2540000081062317}],"mesh":[],"locations_count":1,"locations":[{"id":"doi:10.3390/arts15110261","doi":"https://doi.org/10.3390/arts15110261","is_oa":true,"landing_page_url":"https://doi.org/10.3390/arts15110261","pdf_url":null,"source":{"id":"https://openalex.org/S4210232029","display_name":"Arts","issn_l":"2076-0752","issn":["2076-0752"],"is_oa":true,"is_in_doaj":true,"is_core":false,"listed_in":["anvur-scientific","doaj","jufo-1","poland-140","russia-white-list-2","vabb-shw"],"host_organization":"https://openalex.org/P4310310987","host_organization_name":"Multidisciplinary Digital Publishing Institute","host_organization_lineage":["https://openalex.org/P4310310987"],"host_organization_lineage_names":["Multidisciplinary Digital Publishing Institute"],"type":"journal"},"license":"cc-by","license_id":"https://openalex.org/licenses/cc-by","version":"publishedVersion","is_accepted":true,"is_published":true,"raw_source_name":"Arts","raw_type":"journal-article"}],"best_oa_location":{"id":"doi:10.3390/arts15110261","doi":"https://doi.org/10.3390/arts15110261","is_oa":true,"landing_page_url":"https://doi.org/10.3390/arts15110261","pdf_url":null,"source":{"id":"https://openalex.org/S4210232029","display_name":"Arts","issn_l":"2076-0752","issn":["2076-0752"],"is_oa":true,"is_in_doaj":true,"is_core":false,"listed_in":["anvur-scientific","doaj","jufo-1","poland-140","russia-white-list-2","vabb-shw"],"host_organization":"https://openalex.org/P4310310987","host_organization_name":"Multidisciplinary Digital Publishing Institute","host_organization_lineage":["https://openalex.org/P4310310987"],"host_organization_lineage_names":["Multidisciplinary Digital Publishing Institute"],"type":"journal"},"license":"cc-by","license_id":"https://openalex.org/licenses/cc-by","version":"publishedVersion","is_accepted":true,"is_published":true,"raw_source_name":"Arts","raw_type":"journal-article"},"sustainable_development_goals":[],"study_designs":[],"awards":[],"funders":[],"has_content":{"grobid_xml":false,"pdf":false},"content_urls":null,"referenced_works_count":7,"referenced_works":["https://openalex.org/W2163994773","https://openalex.org/W2471398041","https://openalex.org/W2941788445","https://openalex.org/W2997311233","https://openalex.org/W4233394093","https://openalex.org/W4243035789","https://openalex.org/W4249575472"],"related_works":["https://openalex.org/W301848559","https://openalex.org/W2138522526","https://openalex.org/W2028588013","https://openalex.org/W2748382762","https://openalex.org/W2985884947","https://openalex.org/W2550822269","https://openalex.org/W7140156787","https://openalex.org/W2145560238","https://openalex.org/W2767497465","https://openalex.org/W3030788338"],"abstract_inverted_index":{"This":[0],"article":[1,123],"examines":[2],"how":[3,59,133],"Rebecca":[4],"Salvadori\u2019s":[5],"moving-image":[6,189],"practice":[7],"negotiates":[8],"the":[9,48,56,79,103,162,165,173],"boundaries":[10],"between":[11,167],"video":[12],"art,":[13],"documentary,":[14,161],"and":[15,51,64,82,91,115,146,172,187],"performance":[16],"through":[17,139],"audiovisual":[18,140],"fragmentation.":[19],"Drawing":[20],"on":[21],"a":[22,74,128],"qualitative":[23],"comparative":[24],"analysis":[25,72],"of":[26,84,88,149,184],"five":[27],"purposively":[28],"selected":[29],"works:":[30],"Rave":[31],"Trilogy":[32],"(2017\u20132020),":[33],"The":[34,71,94,122,179],"Sun":[35],"Has":[36],"No":[37],"Shadow":[38],"(2022),":[39],"Messengers":[40],"(2022\u2013ongoing),":[41],"All":[42],"We":[43],"Got":[44],"Is":[45],"Us":[46],"in":[47],"Moment":[49],"(2023),":[50],"A":[52],"Forbidden":[53],"Distance":[54],"(2024),":[55],"study":[57,180],"investigates":[58],"visual":[60],"composition,":[61],"editing,":[62],"sound,":[63],"temporal":[65],"organisation":[66],"contribute":[67],"to":[68,142,182],"documentary":[69,89,107,135],"representation.":[70],"adopts":[73],"post-digital":[75,188],"perspective":[76],"concerned":[77],"with":[78,119],"artistic":[80],"uses":[81],"coexistence":[83],"technologies,":[85],"alongside":[86],"theories":[87],"performativity":[90],"embodied":[92],"perception.":[93],"findings":[95],"demonstrate":[96],"that":[97],"fragmentation":[98,158],"acquires":[99],"distinct":[100],"functions":[101],"across":[102],"corpus,":[104],"including":[105],"disclosing":[106],"construction,":[108],"reorganising":[109],"personal":[110],"archives,":[111],"articulating":[112],"collaborative":[113],"encounters,":[114],"connecting":[116],"individual":[117],"testimony":[118],"collective":[120],"environments.":[121],"proposes":[124],"sensorial":[125],"documentation":[126],"as":[127,159],"situated":[129],"analytical":[130],"concept":[131,163],"describing":[132],"identifiable":[134],"materials":[136],"are":[137],"recomposed":[138],"form":[141],"articulate":[143],"experiential,":[144],"relational,":[145],"conceptual":[147],"dimensions":[148],"recorded":[150,168],"situations.":[151],"Rather":[152],"than":[153],"treating":[154],"sensory":[155],"intensity":[156],"or":[157,175],"inherently":[160],"emphasises":[164],"relationships":[166],"material,":[169],"formal":[170],"organisation,":[171],"experiences":[174],"ideas":[176],"made":[177],"perceptible.":[178],"contributes":[181],"discussions":[183],"performative":[185],"imaging":[186],"practices":[190],"without":[191],"making":[192],"empirical":[193],"claims":[194],"about":[195],"audience":[196],"reception.":[197]},"counts_by_year":[],"updated_date":"2026-11-11T12:16:26.678958","created_date":"2026-11-10T00:00:00"}