{"id":"https://openalex.org/W3204875887","doi":"https://doi.org/10.5040/9781350026407","title":"Theory for Theatre Studies: Movement","display_name":"Theory for Theatre Studies: Movement","publication_year":2021,"publication_date":"2021-01-01","ids":{"openalex":"https://openalex.org/W3204875887","doi":"https://doi.org/10.5040/9781350026407","mag":"3204875887"},"language":"en","primary_location":{"id":"doi:10.5040/9781350026407","doi":"https://doi.org/10.5040/9781350026407","is_oa":false,"landing_page_url":"https://doi.org/10.5040/9781350026407","pdf_url":null,"source":{"id":"https://openalex.org/S4306462942","display_name":"Bloomsbury Publishing Plc eBooks","issn_l":null,"issn":null,"is_oa":false,"is_in_doaj":false,"is_core":false,"listed_in":[],"host_organization":"https://openalex.org/P4310311825","host_organization_name":"Bloomsbury Publishing plc","host_organization_lineage":["https://openalex.org/P4310311825"],"host_organization_lineage_names":["Bloomsbury Publishing plc"],"type":"ebook platform"},"license":null,"license_id":null,"version":"publishedVersion","is_accepted":true,"is_published":true,"raw_source_name":null,"raw_type":"book"},"volume":null,"type":"book","indexed_in":["crossref"],"open_access":{"is_oa":false,"oa_status":"closed","oa_url":null,"any_repository_has_fulltext":false},"authorships":[{"author_position":"first","author":{"id":"https://openalex.org/A5061748778","display_name":"Rachel Fensham","orcid":"https://orcid.org/0000-0002-0339-4848","observed_orcids":["https://orcid.org/0000-0002-0339-4848"]},"institutions":[],"countries":[],"is_corresponding":true,"raw_author_name":"Rachel Fensham","raw_affiliation_strings":[],"raw_orcid":null,"affiliations":[]}],"institutions":[],"countries_distinct_count":0,"institutions_distinct_count":0,"corresponding_author_ids":["https://openalex.org/A5061748778"],"corresponding_institution_ids":[],"apc_list":null,"apc_paid":null,"fwci":3.1693,"has_fulltext":false,"cited_by_count":5,"citation_normalized_percentile":{"value":0.92214533,"is_in_top_1_percent":false,"is_in_top_10_percent":true},"cited_by_percentile_year":{"min":89,"max":96},"biblio":{"volume":null,"issue":null,"first_page":null,"last_page":null},"is_retracted":false,"is_paratext":false,"is_xpac":false,"primary_topic":{"id":"https://openalex.org/T11391","display_name":"Theatre and Performance Studies","score":0.9980000257492065,"subfield":{"id":"https://openalex.org/subfields/1213","display_name":"Visual Arts and Performing Arts"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},"topics":[{"id":"https://openalex.org/T11391","display_name":"Theatre and Performance Studies","score":0.9980000257492065,"subfield":{"id":"https://openalex.org/subfields/1213","display_name":"Visual Arts and Performing Arts"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},{"id":"https://openalex.org/T13860","display_name":"Arts and Performance Studies","score":0.001500000013038516,"subfield":{"id":"https://openalex.org/subfields/1213","display_name":"Visual Arts and Performing Arts"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},{"id":"https://openalex.org/T12803","display_name":"Cinema History and Criticism","score":9.999999747378752e-05,"subfield":{"id":"https://openalex.org/subfields/1213","display_name":"Visual Arts and Performing Arts"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}}],"keywords":[{"id":"https://openalex.org/keywords/movement-in-theatre","display_name":"movement in theatre","score":0.8320000171661377},{"id":"https://openalex.org/keywords/performance-theory","display_name":"performance theory","score":0.4749999940395355},{"id":"https://openalex.org/keywords/vitality","display_name":"vitality","score":0.609000027179718},{"id":"https://openalex.org/keywords/plasticity","display_name":"plasticity","score":0.9929999709129333},{"id":"https://openalex.org/keywords/gesture","display_name":"gesture","score":0.9879999756813049},{"id":"https://openalex.org/keywords/effort","display_name":"effort","score":0.6779999732971191},{"id":"https://openalex.org/keywords/rhythm","display_name":"rhythm","score":0.996999979019165},{"id":"https://openalex.org/keywords/movement-training","display_name":"movement training","score":0.8009999990463257},{"id":"https://openalex.org/keywords/intercultural-performance","display_name":"intercultural performance","score":0.843999981880188},{"id":"https://openalex.org/keywords/live-art","display_name":"live art","score":0.8939999938011169},{"id":"https://openalex.org/keywords/digital-theatre","display_name":"digital theatre","score":0.531000018119812},{"id":"https://openalex.org/keywords/postdramatic-theatre","display_name":"postdramatic theatre","score":0.9089999794960022},{"id":"https://openalex.org/keywords/theatre-production","display_name":"theatre production","score":0.3449999988079071},{"id":"https://openalex.org/keywords/antigone","display_name":"Antigone","score":0.8830000162124634},{"id":"https://openalex.org/keywords/hedda-gabler","display_name":"Hedda Gabler","score":0.8930000066757202},{"id":"https://openalex.org/keywords/mother-courage","display_name":"Mother Courage","score":0.8830000162124634},{"id":"https://openalex.org/keywords/war-horses","display_name":"military horses","score":0.7570000290870667},{"id":"https://openalex.org/keywords/berliner-ensemble","display_name":"Berliner Ensemble","score":0.6150000095367432}],"concepts":[{"id":"https://openalex.org/C2780226923","wikidata":"https://www.wikidata.org/wiki/Q929848","display_name":"Movement (music)","level":2,"score":0.7573163509368896},{"id":"https://openalex.org/C153349607","wikidata":"https://www.wikidata.org/wiki/Q36649","display_name":"Visual arts","level":1,"score":0.3881651759147644},{"id":"https://openalex.org/C46312422","wikidata":"https://www.wikidata.org/wiki/Q11024","display_name":"Communication","level":1,"score":0.38018369674682617},{"id":"https://openalex.org/C142362112","wikidata":"https://www.wikidata.org/wiki/Q735","display_name":"Art","level":0,"score":0.3505275547504425},{"id":"https://openalex.org/C15744967","wikidata":"https://www.wikidata.org/wiki/Q9418","display_name":"Psychology","level":0,"score":0.2870830297470093},{"id":"https://openalex.org/C107038049","wikidata":"https://www.wikidata.org/wiki/Q35986","display_name":"Aesthetics","level":1,"score":0.2187013328075409}],"mesh":[],"locations_count":1,"locations":[{"id":"doi:10.5040/9781350026407","doi":"https://doi.org/10.5040/9781350026407","is_oa":false,"landing_page_url":"https://doi.org/10.5040/9781350026407","pdf_url":null,"source":{"id":"https://openalex.org/S4306462942","display_name":"Bloomsbury Publishing Plc eBooks","issn_l":null,"issn":null,"is_oa":false,"is_in_doaj":false,"is_core":false,"listed_in":[],"host_organization":"https://openalex.org/P4310311825","host_organization_name":"Bloomsbury Publishing plc","host_organization_lineage":["https://openalex.org/P4310311825"],"host_organization_lineage_names":["Bloomsbury Publishing plc"],"type":"ebook platform"},"license":null,"license_id":null,"version":"publishedVersion","is_accepted":true,"is_published":true,"raw_source_name":null,"raw_type":"book"}],"best_oa_location":null,"sustainable_development_goals":[],"study_designs":[],"awards":[],"funders":[],"has_content":{"grobid_xml":false,"pdf":false},"content_urls":null,"referenced_works_count":0,"referenced_works":[],"related_works":["https://openalex.org/W2625998664","https://openalex.org/W2994407067","https://openalex.org/W7140376596","https://openalex.org/W7062989625","https://openalex.org/W2965508175","https://openalex.org/W4205580097","https://openalex.org/W4230933994","https://openalex.org/W346091872","https://openalex.org/W1536352609","https://openalex.org/W7024904227"],"abstract_inverted_index":{"How":[0],"do":[1],"we":[2],"define":[3],"movement":[4,87,95,121,148],"in":[5,23,55,105,122],"performance?":[6],"Who":[7],"or":[8,21],"what":[9],"is":[10,221],"being":[11],"moved":[12],"and":[13,53,57,68,80,91,98,111,127,145,186,206,216,231],"how?":[14],"And":[15],"which":[16,33],"movements":[17],"are":[18],"felt,":[19],"observed,":[20],"studied,":[22],"theatre?":[24],"Part":[25],"of":[26,47,75,86,108,120,133,156,160,167,191,201],"the":[27,40,44,73,109,118,172,187,213],"Theory":[28],"for":[29,51],"Theatre":[30],"Studies":[31],"series":[32],"introduces":[34],"core":[35],"theoretical":[36],"concepts":[37,202],"that":[38,203],"underpin":[39],"discipline,":[41],"Movement":[42],"provides":[43],"first":[45],"overview":[46],"relevant":[48],"critical":[49],"theory":[50],"students":[52],"researchers":[54],"theatre":[56,123,208],"performance":[58,82,151],"studies.":[59],"Exploring":[60],"areas":[61],"such":[62],"as":[63,88,149],"vitality,":[64],"plasticity,":[65],"gesture,":[66],"effort":[67],"rhythm,":[69],"it":[70],"opens":[71],"up":[72],"study":[74],"theatrical":[76],"production,":[77],"live":[78],"art,":[79],"intercultural":[81],"to":[83,138,141,147],"socio-political":[84],"conceptions":[85],"both":[89],"practice":[90],"concept.":[92,152],"It":[93],"covers":[94],"training":[96],"systems":[97],"considers":[99,198],"how":[100],"they":[101],"have":[102],"been":[103],"utilized":[104],"key":[106],"works":[107],"20th":[110],"21st":[112],"centuries.":[113],"The":[114,178,195,219],"final":[115,196],"section":[116,197],"traces":[117],"convergence":[119],"with":[124],"other":[125],"media":[126],"digital":[128],"technologies.":[129],"A":[130],"wide":[131],"range":[132],"in-depth":[134],"case":[135],"studies":[136],"helps":[137],"equip":[139],"readers":[140],"explore":[142],"new":[143],"methodologies":[144],"approaches":[146],"a":[150,199],"These":[153],"include":[154],"analysis":[155],"Satoshi":[157],"Miyagi's":[158],"production":[159,166,190],"Sophocles'":[161],"Antigone":[162],"(2017),":[163],"Thomas":[164],"Ostermeier's":[165],"Ibsen\u2019s":[168],"Hedda":[169],"Gabler":[170],"(2008),":[171],"Berliner":[173],"Ensemble\u2019s":[174],"Mother":[175],"Courage":[176],"(1949),":[177],"Constant":[179],"Prince":[180],"(1965)":[181],"performed":[182],"by":[183,223],"Ryzsard":[184],"Cieslak,":[185],"National":[188],"Theatre\u2019s":[189],"War":[192],"Horse":[193],"(2007).":[194],"suite":[200],"shape":[204],"postdramatic":[205],"intermedial":[207],"from":[209],"China,":[210],"Germany-Bangladesh,":[211],"Australia,":[212],"United":[214,217],"States,":[215],"Kingdom.":[218],"volume":[220],"supported":[222],"further":[224],"online":[225],"resources":[226],"including":[227],"video":[228],"material,":[229],"questions,":[230],"exercises.":[232]},"counts_by_year":[{"year":2026,"cited_by_count":1},{"year":2025,"cited_by_count":1},{"year":2024,"cited_by_count":1},{"year":2023,"cited_by_count":2}],"updated_date":"2026-09-06T09:10:53.072986","created_date":"2021-10-11T00:00:00"}
