{"id":"https://openalex.org/W2806689042","doi":"https://doi.org/10.31751/244","title":"Satzmodelle des \u203aContrapunto alla mente\u2039 und ihre Bedeutung f\u00fcr den Stilwandel um 1600","display_name":"Satzmodelle des \u203aContrapunto alla mente\u2039 und ihre Bedeutung f\u00fcr den Stilwandel um 1600","publication_year":2007,"publication_date":"2007-01-01","ids":{"openalex":"https://openalex.org/W2806689042","doi":"https://doi.org/10.31751/244","mag":"2806689042"},"language":"de","primary_location":{"id":"doi:10.31751/244","doi":"https://doi.org/10.31751/244","is_oa":true,"landing_page_url":"https://doi.org/10.31751/244","pdf_url":"https://storage.gmth.de/zgmth/pdf/244","source":{"id":"https://openalex.org/S4210225622","display_name":"Zeitschrift der Gesellschaft f\u00fcr Musiktheorie [Journal of the German-Speaking Society of Music Theory]","issn_l":"1862-6742","issn":["1862-6742","1862-6750"],"is_oa":true,"is_in_doaj":true,"is_core":false,"listed_in":["ddh","doaj","jufo-1","norway-1","poland-20","russia-white-list-3","vabb-shw"],"host_organization":null,"host_organization_name":null,"host_organization_lineage":[],"host_organization_lineage_names":[],"type":"journal"},"license":"cc-by","license_id":"https://openalex.org/licenses/cc-by","version":"publishedVersion","is_accepted":true,"is_published":true,"raw_source_name":"Zeitschrift der Gesellschaft f\u00fcr Musiktheorie [Journal of the German-Speaking Society of Music Theory]","raw_type":"journal-article"},"volume":null,"type":"article","indexed_in":["crossref","doaj"],"open_access":{"is_oa":true,"oa_status":"diamond","oa_url":"https://storage.gmth.de/zgmth/pdf/244","any_repository_has_fulltext":true},"authorships":[{"author_position":"first","author":{"id":"https://openalex.org/A5060341625","display_name":"Folker Froebe","orcid":null,"observed_orcids":[]},"institutions":[],"countries":[],"is_corresponding":true,"raw_author_name":"Folker Froebe","raw_affiliation_strings":[],"raw_orcid":null,"affiliations":[]}],"institutions":[],"countries_distinct_count":0,"institutions_distinct_count":0,"corresponding_author_ids":["https://openalex.org/A5060341625"],"corresponding_institution_ids":[],"apc_list":null,"apc_paid":null,"fwci":8.8737,"has_fulltext":true,"cited_by_count":9,"citation_normalized_percentile":{"value":0.97617011,"is_in_top_1_percent":false,"is_in_top_10_percent":true},"cited_by_percentile_year":{"min":89,"max":94},"biblio":{"volume":"4","issue":"1\u20132","first_page":"13","last_page":"55"},"is_retracted":false,"is_paratext":false,"is_xpac":false,"primary_topic":{"id":"https://openalex.org/T10941","display_name":"Musicology and Musical Analysis","score":1.0,"subfield":{"id":"https://openalex.org/subfields/1210","display_name":"Music"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},"topics":[{"id":"https://openalex.org/T10941","display_name":"Musicology and Musical Analysis","score":1.0,"subfield":{"id":"https://openalex.org/subfields/1210","display_name":"Music"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},{"id":"https://openalex.org/T11425","display_name":"Diverse Music Education Insights","score":9.999999747378752e-05,"subfield":{"id":"https://openalex.org/subfields/1210","display_name":"Music"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},{"id":"https://openalex.org/T12076","display_name":"Renaissance and Early Modern Studies","score":0.0,"subfield":{"id":"https://openalex.org/subfields/1202","display_name":"History"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}}],"keywords":[{"id":"https://openalex.org/keywords/vocal-improvisation","display_name":"vocal improvisation","score":0.6830000281333923},{"id":"https://openalex.org/keywords/cantus-firmus","display_name":"cantus firmus","score":0.6629999876022339},{"id":"https://openalex.org/keywords/basso-continuo","display_name":"basso continuo","score":0.6420000195503235},{"id":"https://openalex.org/keywords/josquin-des-prez","display_name":"Josquin des Prez","score":0.9179999828338623},{"id":"https://openalex.org/keywords/history-of-music-theory","display_name":"history of music theory","score":0.47200000286102295}],"concepts":[{"id":"https://openalex.org/C15708023","wikidata":"https://www.wikidata.org/wiki/Q80083","display_name":"Humanities","level":1,"score":0.6665550470352173},{"id":"https://openalex.org/C138885662","wikidata":"https://www.wikidata.org/wiki/Q5891","display_name":"Philosophy","level":0,"score":0.5497586727142334},{"id":"https://openalex.org/C142362112","wikidata":"https://www.wikidata.org/wiki/Q735","display_name":"Art","level":0,"score":0.3644048571586609}],"mesh":[],"locations_count":3,"locations":[{"id":"doi:10.31751/244","doi":"https://doi.org/10.31751/244","is_oa":true,"landing_page_url":"https://doi.org/10.31751/244","pdf_url":"https://storage.gmth.de/zgmth/pdf/244","source":{"id":"https://openalex.org/S4210225622","display_name":"Zeitschrift der Gesellschaft f\u00fcr Musiktheorie [Journal of the German-Speaking Society of Music Theory]","issn_l":"1862-6742","issn":["1862-6742","1862-6750"],"is_oa":true,"is_in_doaj":true,"is_core":false,"listed_in":["ddh","doaj","jufo-1","norway-1","poland-20","russia-white-list-3","vabb-shw"],"host_organization":null,"host_organization_name":null,"host_organization_lineage":[],"host_organization_lineage_names":[],"type":"journal"},"license":"cc-by","license_id":"https://openalex.org/licenses/cc-by","version":"publishedVersion","is_accepted":true,"is_published":true,"raw_source_name":"Zeitschrift der Gesellschaft f\u00fcr Musiktheorie [Journal of the German-Speaking Society of Music Theory]","raw_type":"journal-article"},{"id":"pmh:info:fedora/oai:univie.ac.at:o:996213","doi":null,"is_oa":true,"landing_page_url":"https://phaidra.univie.ac.at/o:996213","pdf_url":null,"source":{"id":"https://openalex.org/S4306401993","display_name":"Phaidra (Universit\u00e4t Wien)","issn_l":null,"issn":null,"is_oa":false,"is_in_doaj":false,"is_core":false,"listed_in":[],"host_organization":"https://openalex.org/I129774422","host_organization_name":"University of Vienna","host_organization_lineage":["https://openalex.org/I129774422"],"host_organization_lineage_names":[],"type":"repository"},"license":"cc-by-nc-nd","license_id":"https://openalex.org/licenses/cc-by-nc-nd","version":"submittedVersion","is_accepted":false,"is_published":false,"raw_source_name":"ISSN:1862-6742","raw_type":"Text"},{"id":"pmh:oai:doaj.org/article:954092d13be84a7fbbed2e89149f41f4","doi":null,"is_oa":false,"landing_page_url":"https://doaj.org/article/954092d13be84a7fbbed2e89149f41f4","pdf_url":null,"source":{"id":"https://openalex.org/S4306401280","display_name":"DOAJ (DOAJ: Directory of Open Access Journals)","issn_l":null,"issn":null,"is_oa":false,"is_in_doaj":false,"is_core":false,"listed_in":[],"host_organization":null,"host_organization_name":null,"host_organization_lineage":[],"host_organization_lineage_names":[],"type":"repository"},"license":null,"license_id":null,"version":"submittedVersion","is_accepted":false,"is_published":false,"raw_source_name":"Zeitschrift der Gesellschaft f\u00fcr Musiktheorie, Vol 4, Iss 1\u20132, Pp 13-55 (2007)","raw_type":"article"}],"best_oa_location":{"id":"doi:10.31751/244","doi":"https://doi.org/10.31751/244","is_oa":true,"landing_page_url":"https://doi.org/10.31751/244","pdf_url":"https://storage.gmth.de/zgmth/pdf/244","source":{"id":"https://openalex.org/S4210225622","display_name":"Zeitschrift der Gesellschaft f\u00fcr Musiktheorie [Journal of the German-Speaking Society of Music Theory]","issn_l":"1862-6742","issn":["1862-6742","1862-6750"],"is_oa":true,"is_in_doaj":true,"is_core":false,"listed_in":["ddh","doaj","jufo-1","norway-1","poland-20","russia-white-list-3","vabb-shw"],"host_organization":null,"host_organization_name":null,"host_organization_lineage":[],"host_organization_lineage_names":[],"type":"journal"},"license":"cc-by","license_id":"https://openalex.org/licenses/cc-by","version":"publishedVersion","is_accepted":true,"is_published":true,"raw_source_name":"Zeitschrift der Gesellschaft f\u00fcr Musiktheorie [Journal of the German-Speaking Society of Music Theory]","raw_type":"journal-article"},"sustainable_development_goals":[],"sustainable_development_goals_aurora":[],"study_designs":[],"awards":[],"funders":[],"has_content":{"pdf":true,"grobid_xml":true},"content_urls":{"pdf":"https://content.openalex.org/works/W2806689042.pdf","grobid_xml":"https://content.openalex.org/works/W2806689042.grobid-xml"},"referenced_works_count":12,"referenced_works":["https://openalex.org/W437476217","https://openalex.org/W615727263","https://openalex.org/W621037522","https://openalex.org/W635864624","https://openalex.org/W1525850641","https://openalex.org/W1905154221","https://openalex.org/W1966797571","https://openalex.org/W2022939532","https://openalex.org/W2503038657","https://openalex.org/W3202897066","https://openalex.org/W4225346744","https://openalex.org/W4230350749"],"related_works":["https://openalex.org/W2804961893","https://openalex.org/W4400406212","https://openalex.org/W7038335374","https://openalex.org/W2072617544","https://openalex.org/W4225346744","https://openalex.org/W6889444337","https://openalex.org/W2803137934","https://openalex.org/W2804633170","https://openalex.org/W4388340605","https://openalex.org/W6929849304"],"abstract_inverted_index":{"Vom":[0],"15.":[1,47],"bis":[2,21],"17.":[3],"Jahrhundert":[4,24],"wurde":[5],"die":[6,40,71,110,116],"mehrstimmige":[7],"Vokalimprovisation":[8],"(der":[9],"\u203aContrapunto":[10],"alla":[11],"mente\u2039)":[12],"anhand":[13],"sequenzieller":[14],"Cantus-firmus-Modelle":[15],"und":[16,48,66,95,115],"imitatorischer":[17],"Sequenzen":[18],"gelehrt.":[19],"Diese":[20],"ins":[22],"18.":[23],"nachwirkende":[25],"Lehrtradition":[26],"erweist":[27],"sich":[28],"als":[29],"ein":[30],"theoriegeschichtlicher":[31],"\u203amissing":[32],"link\u2039:":[33],"Kaum":[34],"sonst":[35],"in":[36],"musiktheoretischen":[37],"Zeugnissen":[38],"wird":[39],"entwicklungsgeschichtliche":[41],"Kontinuit\u00e4t":[42],"von":[43],"der":[44,61,86,92,102,112],"Vokalpolyphonie":[45],"des":[46,54,78],"16.":[49],"Jahrhunderts":[50],"zum":[51],"\u203amodellgest\u00fctzten\u2039":[52],"Kontrapunkt":[53],"Generalbasszeitalters":[55],"so":[56],"deutlich.":[57],"Eine":[58],"n\u00e4here":[59],"Betrachtung":[60],"zentralen":[62],"Quellen":[63],"zwischen":[64],"1553":[65],"1630":[67],"l\u00e4sst":[68],"erkennen,":[69],"dass":[70],"vokale":[72],"Improvisationslehre":[73],"zugleich":[74,99],"eine":[75],"implizite":[76],"Theorie":[77],"konzertanten":[79],"Kontrapunkts":[80],"zur":[81],"Verf\u00fcgung":[82],"stellt:":[83],"Die":[84],"Modelle":[85,114],"sequenzbasierten":[87],"Improvisationsdidaktik":[88],"bewahren":[89],"\u00e4ltere":[90],"Praktiken":[91],"Generation":[93],"Josquins":[94],"antizipieren":[96],"(bzw.":[97],"reflektieren)":[98],"den":[100,118],"\u203aStilwandel\u2039":[101],"musikalischen":[103],"\u203aHochsprache\u2039":[104],"um":[105],"1600.":[106],"Kompositionsgeschichtliche":[107],"Schlaglichter":[108],"beleuchten":[109],"Transformation":[111],"tradierten":[113],"f\u00fcr":[117],"neuen":[119],"Stil":[120],"charakteristischen":[121],"Techniken":[122],"ihrer":[123],"Inszenierung.":[124]},"counts_by_year":[{"year":2024,"cited_by_count":1},{"year":2022,"cited_by_count":1},{"year":2018,"cited_by_count":1},{"year":2017,"cited_by_count":1},{"year":2015,"cited_by_count":1},{"year":2013,"cited_by_count":1}],"updated_date":"2026-10-04T09:36:47.201465","created_date":"2018-06-13T00:00:00"}
