{"id":"https://openalex.org/W2313487282","doi":"https://doi.org/10.2307/832251","title":"The New Image of Music","display_name":"The New Image of Music","publication_year":1963,"publication_date":"1963-01-01","ids":{"openalex":"https://openalex.org/W2313487282","doi":"https://doi.org/10.2307/832251","mag":"2313487282"},"language":"en","primary_location":{"id":"doi:10.2307/832251","doi":"https://doi.org/10.2307/832251","is_oa":false,"landing_page_url":"https://doi.org/10.2307/832251","pdf_url":null,"source":{"id":"https://openalex.org/S190894205","display_name":"Perspectives of New Music","issn_l":"0031-6016","issn":["0031-6016","2325-7180"],"is_oa":false,"is_in_doaj":false,"is_core":true,"listed_in":["anvur-scientific","cwts-core","jufo-1","norway-1","poland-40","russia-white-list-3","vabb-shw"],"host_organization":"https://openalex.org/P4363603791","host_organization_name":"Perspectives of New Music","host_organization_lineage":["https://openalex.org/P4363603791"],"host_organization_lineage_names":["Perspectives of New Music"],"type":"journal"},"license":null,"license_id":null,"version":"publishedVersion","is_accepted":true,"is_published":true,"raw_source_name":"Perspectives of New Music","raw_type":"journal-article"},"volume":null,"type":"article","indexed_in":["crossref"],"open_access":{"is_oa":false,"oa_status":"closed","oa_url":null,"any_repository_has_fulltext":false},"authorships":[{"author_position":"first","author":{"id":"https://openalex.org/A5019874348","display_name":"George Rochberg","orcid":"https://orcid.org/0000-0001-7565-2757","observed_orcids":["https://orcid.org/0000-0001-7565-2757"]},"institutions":[],"countries":[],"is_corresponding":true,"raw_author_name":"George Rochberg","raw_affiliation_strings":[],"raw_orcid":null,"affiliations":[]}],"institutions":[],"countries_distinct_count":0,"institutions_distinct_count":0,"corresponding_author_ids":["https://openalex.org/A5019874348"],"corresponding_institution_ids":[],"apc_list":null,"apc_paid":null,"fwci":0.0,"has_fulltext":false,"cited_by_count":6,"citation_normalized_percentile":{"value":0.2515194,"is_in_top_1_percent":false,"is_in_top_10_percent":false},"cited_by_percentile_year":{"min":89,"max":94},"biblio":{"volume":"2","issue":"1","first_page":"1","last_page":"1"},"is_retracted":false,"is_paratext":false,"is_xpac":false,"primary_topic":{"id":"https://openalex.org/T10941","display_name":"Musicology and Musical Analysis","score":0.9901999831199646,"subfield":{"id":"https://openalex.org/subfields/1210","display_name":"Music"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},"topics":[{"id":"https://openalex.org/T10941","display_name":"Musicology and Musical Analysis","score":0.9901999831199646,"subfield":{"id":"https://openalex.org/subfields/1210","display_name":"Music"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},{"id":"https://openalex.org/T14095","display_name":"Literature, Musicology, and Cultural Analysis","score":0.005499999970197678,"subfield":{"id":"https://openalex.org/subfields/3304","display_name":"Education"},"field":{"id":"https://openalex.org/fields/33","display_name":"Social Sciences"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},{"id":"https://openalex.org/T11113","display_name":"Music History and Culture","score":0.000699999975040555,"subfield":{"id":"https://openalex.org/subfields/1210","display_name":"Music"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}}],"keywords":[{"id":"https://openalex.org/keywords/musical-composition","display_name":"music composition","score":0.597000002861023},{"id":"https://openalex.org/keywords/avant-garde-composers","display_name":"avant-garde composers","score":0.5479999780654907},{"id":"https://openalex.org/keywords/postwar-music","display_name":"postwar music","score":0.3449999988079071},{"id":"https://openalex.org/keywords/schoenberg","display_name":"Schoenberg","score":0.4790000021457672},{"id":"https://openalex.org/keywords/igor-stravinsky","display_name":"Igor Stravinsky","score":0.9829999804496765},{"id":"https://openalex.org/keywords/bela-bartok","display_name":"B\u00e9la Bart\u00f3k","score":0.9259999990463257},{"id":"https://openalex.org/keywords/musical-modernism","display_name":"musical modernism","score":0.42899999022483826},{"id":"https://openalex.org/keywords/compositional-techniques","display_name":"compositional techniques","score":0.49799999594688416}],"concepts":[{"id":"https://openalex.org/C115961682","wikidata":"https://www.wikidata.org/wiki/Q860623","display_name":"Image (mathematics)","level":2,"score":0.5618459582328796},{"id":"https://openalex.org/C142362112","wikidata":"https://www.wikidata.org/wiki/Q735","display_name":"Art","level":0,"score":0.53023362159729},{"id":"https://openalex.org/C41008148","wikidata":"https://www.wikidata.org/wiki/Q21198","display_name":"Computer science","level":0,"score":0.3919371962547302},{"id":"https://openalex.org/C31972630","wikidata":"https://www.wikidata.org/wiki/Q844240","display_name":"Computer vision","level":1,"score":0.3158596158027649}],"mesh":[],"locations_count":1,"locations":[{"id":"doi:10.2307/832251","doi":"https://doi.org/10.2307/832251","is_oa":false,"landing_page_url":"https://doi.org/10.2307/832251","pdf_url":null,"source":{"id":"https://openalex.org/S190894205","display_name":"Perspectives of New Music","issn_l":"0031-6016","issn":["0031-6016","2325-7180"],"is_oa":false,"is_in_doaj":false,"is_core":true,"listed_in":["anvur-scientific","cwts-core","jufo-1","norway-1","poland-40","russia-white-list-3","vabb-shw"],"host_organization":"https://openalex.org/P4363603791","host_organization_name":"Perspectives of New Music","host_organization_lineage":["https://openalex.org/P4363603791"],"host_organization_lineage_names":["Perspectives of New Music"],"type":"journal"},"license":null,"license_id":null,"version":"publishedVersion","is_accepted":true,"is_published":true,"raw_source_name":"Perspectives of New Music","raw_type":"journal-article"}],"best_oa_location":null,"sustainable_development_goals":[],"study_designs":[],"awards":[],"funders":[],"has_content":{"grobid_xml":false,"pdf":false},"content_urls":null,"referenced_works_count":0,"referenced_works":[],"related_works":["https://openalex.org/W3013325773","https://openalex.org/W4254959934","https://openalex.org/W6944356","https://openalex.org/W7101189142","https://openalex.org/W2604154947","https://openalex.org/W2735460304","https://openalex.org/W6927216795","https://openalex.org/W2485433875","https://openalex.org/W2094837224","https://openalex.org/W2001887839"],"abstract_inverted_index":{"THE":[0],"BREAK":[1],"with":[2,119,196,295],"tradition":[3,120],"which,":[4,366],"beginning":[5],"in":[6,51,60,72,91,130,268,277,282,325,339],"the":[7,18,55,73,78,81,92,105,117,125,131,163,169,182,194,198,206,247,288,305,326,333,342,359],"early":[8],"decades":[9],"of":[10,23,36,77,80,84,94,97,104,133,153,165,173,176,184,200,208,217,221,225,250,309,335,347,361],"this":[11,166,255,340],"century,":[12],"resulted":[13],"from":[14,156,357],"profound":[15],"changes":[16],"affecting":[17],"sound,":[19],"structure,":[20],"and":[21,68,75,88,144,154,158,171,187,212,223,236,260,266,307,311,316,323,350],"form":[22],"music,":[24],"continues":[25],"to":[26,41,62,114,122,203,234,241,332],"exert":[27],"its":[28,262,303,345,371],"powerful":[29],"but":[30],"negative":[31],"influence":[32],"on":[33,228],"composers,":[34],"few":[35],"whom":[37],"have":[38,58,239,314],"been":[39,315],"able":[40],"accept":[42,115],"it":[43,291],"unconditionally,":[44],"without":[45],"qualm":[46],"or":[47,201],"reservation.":[48],"This":[49],"accounts":[50],"large":[52],"measure":[53],"for":[54,181,211,329],"difficulties":[56],"they":[57],"experienced":[59],"attempting":[61],"solve":[63],"their":[64,151],"problems.":[65],"Ambivalence,":[66],"uncertainty,":[67],"nostalgia":[69],"are":[70,317],"reflected":[71],"attitudes":[74,224],"works":[76],"masters":[79],"first":[82,112,253],"half":[83],"our":[85],"centurySchoenberg,":[86],"Stravinsky,":[87],"Bart6k;":[89],"although,":[90],"case":[93],"a":[95,141,174,179,273,296,362],"composer":[96],"Varkse's":[98],"stature,":[99],"we":[100,244],"see":[101],"no":[102],"sign":[103],"vacillation":[106],"that":[107,353],"afflicted":[108],"his":[109],"generation.":[110],"The":[111],"generation":[113],"unreservedly":[116],"break":[118,195],"grew":[121],"maturity":[123],"following":[124],"Second":[126],"World":[127],"War.":[128],"Nevertheless,":[129],"ranks":[132],"today's":[134],"advanced":[135],"composers":[136],"there":[137],"is":[138,292],"now":[139],"discernible":[140],"growing":[142],"tension":[143],"widening":[145],"gap":[146],"between":[147],"those":[148,159],"who":[149],"proclaim":[150],"abandonment":[152],"disengagement":[155],"history":[157],"who,":[160],"reacting":[161],"against":[162],"consequences":[164],"denial,":[167],"reassert":[168],"value":[170],"necessity":[172],"sense":[175],"historical":[177,204],"continuity,":[178],"feeling":[180],"continuum":[183],"human":[185],"life":[186],"culture.":[188],"Despite":[189],"all":[190],"this-the":[191],"ambivalence":[192],"toward":[193],"tradition,":[197],"rejection":[199],"adherence":[202],"continuity-in":[205],"process":[207,365],"casting":[209],"about":[210,299],"searching":[213],"out":[214],"viable":[215,330],"means":[216,312],"composition,":[218],"certain":[219],"processes":[220],"thought":[222],"mind,":[226],"resting":[227],"commonly":[229],"held":[230],"assumptions,":[231],"which":[232,313,355],"tend":[233],"ameliorate":[235],"reconcile":[237],"differences,":[238],"crystallized":[240],"create":[242],"what":[243],"may":[245],"call":[246],"new":[248],"image":[249,256,343],"music.":[251],"At":[252],"glance":[254],"appears":[257],"strange,":[258],"many-faceted,":[259],"complex,":[261],"features":[263],"seemingly":[264],"distorted":[265],"disarranged":[267],"cubist":[269,274,289],"fashion":[270],"and,":[271],"like":[272,287],"image,":[275,290],"looking":[276],"several":[278],"directions":[279],"at":[280,284],"once-or":[281],"none":[283],"all.":[285],"And":[286],"an":[293],"aggregate":[294],"compelling":[297],"unity":[298],"it,":[300],"gathering":[301],"into":[302],"field":[304],"plurality":[306],"diversity":[308],"methods":[310],"still":[318],"being":[319],"devised,":[320],"transformed,":[321],"discarded,":[322],"replaced":[324],"ceaseless":[327],"search":[328],"solutions":[331],"problem":[334],"musical":[336],"composition.":[337],"Viewed":[338],"way,":[341],"loses":[344],"aspect":[346],"immobile":[348],"complexity":[349],"instead":[351],"acquires":[352],"fascination":[354],"derives":[356],"contemplating":[358],"richness":[360],"constantly":[363],"metamorphosing":[364],"despite":[367],"surface":[368],"changes,":[369],"retains":[370],"basic":[372],"morphology.":[373]},"counts_by_year":[{"year":2016,"cited_by_count":1}],"updated_date":"2026-09-21T07:43:02.447757","created_date":"2016-06-24T00:00:00"}