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ithouthesitationorfalsemodesty.Herobservationsabout":[64],"manytopicsareboldandincisive,andmanyofthepapersontheatrical":[65],"topicsareespeciallyinteresting.Amongthesepaperssheoffersdetailed":[66],"criticismofdramaticpoetry,praiseofspecificperformances,andcom-":[67],"mentaryoncurrenttrendsontheLondonstage.":[68],"Inanearlynumber,Singletonproposesaschemetoreformthestage.":[69],"219":[72],"Shedeclaresthatshewillformanacademyof\"realjudges,\"a\"little":[73],"courtoffemalecriticism,\"whichwill\"takeintoconsiderationallstage":[74],"offensesagainstsenseanddecency\"(29).Inthiscapacity,theOldMaid":[75],"commentsonanumberoftopics,rangingfromtheattackontheimmo-":[76],"ralityofthestagewhichwasrenewedaftertheLisbonearthquake,coun-":[77],"teredbyherowndisquisitiononthemoralutilityofthestage(30-38),":[78],"protestagainsttheill-treatmentofanactressatCovent-Gardenbya":[79],"memberoftheaudience(123),thecurrencyofKingLear(139)andthe":[80],"LearsofBarryandGarrick(145-50),praiseofMrs.Clive'sparodyof":[81],"ItalianOpera(219),anamusingaccountoftheMoroccanAmbassador's":[82],"naivedelightintheplay-houses(220),tocomplaintsaboutactorsupstag-":[83],"ingeachotherwithdistractingstage-business(222).":[84],"ReviewingthestateofBritishtheater,Singletonclaimstherearepoets":[85],"nowlivinginEnglandcapableofequallingtheancients,thoughcontem-":[86],"porarypiecesonthestagefallshortofthegreatplaysoftheprevious":[87],"age.Thisdecline,sheinsists,isdueto\"particularcircumstances\"which":[88],"shesaysshemayexplaininanotherpaper(17).Thoughshedoesnot":[89],"makethisthreatgood,itseemslikelythatBrookewasthinkingofwriting":[90],"aboutthemonopolyheldbyproducerssuchasGarrickandRich,a":[91],"complaintsheheldbackforanotheroccasion.Still,herownsenseof":[92],"powerlessnessasawriterofunproducedplaysappearsinawrydiscus-":[93],"sionofthewayauthorssufferfromthediffidenceoftheirfriends,who":[94],"arereluctanttopraiseanauthor'sworkinpublicforfearofaccusations":[95],"ofpuffing(23).Noneoftheplay-houseshadacceptedherplays,andshe":[96],"hadnotyetmanagedtobreakintothecharmedcirclethatcouldprovide":[97],"friendlyrecommendations.":[98],"ThisisnottosuggestthatallSingleton'scriticismsomehowreflects":[99],"Brooke'sownfrustrations.Inseveralpassagesshewriteswithanacute":[100],"criticalsensesharpenedbyastrongsenseofliteraryvalue.Intheremark-":[101],"ableessayonLearinTheOldMaid,No.18,MarySingletondemonstratesherindependenceofthoughtbycounteringthecontemporary":[102],"tasteforNahumTate's\"corrected\"Shakespearewithastrongly-worded":[103],"defenseoftheoriginal:":[104],"Ithasalwaysbeenmatterofgreatastonishmenttome,thatboththe":[105],"houseshavegiven7ere's[wretched]adulterationofKingLearthe":[106],"preferencetoShakespearesexcellentoriginal,whichMr.Addison,the":[107],"mostcandid,aswellasjudiciousofcritics,thinkssoinfinitely":[108],"preferable,astobearnodegreeofcomparison;andonecannothelp":[109],"remarkingparticularly,andwithsomesurprize,thatMr.Garrick,who":[110],"professeshimselfsowarmanidolaterofthisinimitablepoet,andwho":[111],"isdetermined,ifImayusehisownwords,intheprologuetothe":[112],"Winter'sTale,":[113],"Tolosenodropofthisimmortalman,":[114],"220":[115],"shouldyetpreferthe[vile]adulteratedcupofTatetothepuregenuine":[118],"draftofferedhimbythemasterheavowstoservewithsuchfervencyof":[119],"devotion.(149)4":[120],"ReprovingGarrickforcontinuingtouseTate'sLearbyturningGarrick's":[121],"ownmuchvauntedchampionshipofShakespearebackuponhimisa":[122],"subtleyetpotentattack.SingletondoesnotsubjectBarrytosimilar":[123],"criticism,sayingonlythathewasrighttochoosetoactthesameversion":[124],"sothecompetitionbetweenthetwogreatactorsappearingintheplayat":[125],"rivalhouseswouldbe\"onafairfooting.\"":[126],"Itisnotsoclearthatheraccountofthecompetitionisasbalanced.She":[127],"writesthatsheattendedBarry'sperformancewithseveralofher\"critical":[128],"virgins,\"andlavishespraiseonthe\"strongandaffecting...tenderness\"":[129],"ofBarry'sinterpretation:\"HeneverlosessightoftheFather,butinall":[130],"hisrage,eveninthemidstofhisseverestcurses,youseethathisheart,":[131],"heavilyinjuredasheis,andprovokedtothelastexcessoffury,stillowns":[132],"theoffendersforhischildren\"(145).Itisthisvisibleconflictofloveand":[133],"ragethatconvincesherBarry'smannerofplayingLear\"appearsper-":[134],"fectlyconsistentwiththewholemeaningofthepoet\"(147).Whenshe":[135],"comesto\"thecompetition\"betweentherivalactors,suchisherenthusi-":[136],"asmforthisperformancethatshepraisesBarryatGarrick'sexpense:":[137],"Ihavenotyetbeensofortunateastoseethelatterinit,whose":[138],"performance,Idoubtnot,isnolessjustlythangenerallycelebratedand":[139],"admired;buttheadvantageMr.Barryhasfromhisperson,thevariety":[140],"ofhisvoice,anditsparticularaptitudetoexpressthedifferingtones":[141],"whichsorrow,pity,orragenaturallyproduce,areofsuchservicetohim":[142],"inthischaracter,thathecouldnotfailofpleasing,thoughhedidnot":[143],"playitwithallthejudgmentwhichinmyopinionhedoes.(150)":[144],"Afterherprefatorydiscussionof\"fair\"competitionbetweenthe":[145],"Lears,forBrooketocomplimentBarrysoextravagantlywithoutactually":[146],"havingseenGarrick\u2014orsosaying\u2014isattheveryleastinjudicious,andis":[147],"farfrombeingstrictlyfair.Yetthereismorethanalittleevidencethat":[148],"Brookeisactingdeliberately,thatitisnotBrookewhonods.":[149],"Rather,sheisemployingdeliberaterhetoricalstrategies,especially":[150],"whenshelistsBarry's\"advantages.\"Thisisaloadedword,foritdenotes":[151],"bothabsoluteandrelativemerits.Barry'spersonandexpressivevoiceare":[152],"theattributesthatmakehimagreatactor;theyarealsofactorsthatin":[153],"thisaccountlifthimabovehiscompetitor.Moreover,thesuggestionthat":[154],"Barry'sLearismorejudiciousandmorefaithfultoShakespeareeffec-":[155],"tivelydefinesanidealperformancewhileitundercutsthefaintpraise":[156],"awardedtoGarrick.":[157],"221":[160],"WhenGarrickreadthisaccount,then,theslightmusthavebeensuffi-":[161],"cientlyclear.LordOrrery,concernedwiththesuccessofthepaper,wrote":[162],"nervouslyinthemarginsofhiscopy,\"ThePreferenceofBarrytoGar-":[163],"rickwillgivethelattergreatoffence.\"5Garrick'ssensitivitytopublic":[164],"criticismiswell-known,andhedidnotescapethecompetitionwithBarry":[165],"unscathed;Garrick'senvybecameapartofthepopularmythologythat":[166],"attachesitselftoagreatfigure.Professionaljealousyisthekeynoteof":[167],"thesatiricversesontheBarry-GarrickLearswhichTheophilusCibber":[168],"records(commentingthat\"toguesswhowashurtmostbyMr.Barry's":[169],"ApplausecannotbeaveryhardMattertoguess\").":[170],"Criticksattend\u2014andjudgetherivalLears;":[171],"WhilsteachcommandsApplause,andeachyourTears:":[172],"ThenownthisTruth,\u2014wellheperformshisPart":[173],"Whotouches,\u2014evenGarricktotheHeart.":[174],"BidMaliceceasetosnare,\u2014andWitsbemute.":[175],"IfboththeLearshaveMeritinthyEyes,":[176],"Onbothsmilegracious,anddividethePrize:":[177],"OffutureWorthletCandourbetheTest;":[178],"WAoenviesmostshallbebutSecondBest.6":[179],"Garrick'slaterproductionsofKingLeardidrestorealargerpartofthe":[180],"originalversionthanhehadusedbeforeTheOldMaiddaredtoquestion":[181],"him;whetherBrookedirectlyinfluencedthischangeisopentodebate.7":[182],"WhywouldFrancesBrookewanttoattacksuchaformidablepublic":[183],"figureasGarrick?Perhapsinpartbecauseshehadalreadytangledwith":[184],"him,andtheresultsoftheirencounterhadgrievouslywoundedherpride":[185],"inherwork.Shehadbroughthimhertragedy,Virginia,atsometimein":[186],"theearly175Os,butfailedtoconvincehimtoproduceit.Thesituation":[187],"wasnotinitselfunusual,forthemanagersoftheLondonstagewere":[188],"constantlydelugedwithmanuscripts,manyofwhichmusthavebeen":[189],"reallyworthless.MostofGarrick'sbiographerstakeasympatheticview.":[190],"ThomasDaviespresentsthecasewithajudicioustone:":[191],"Themostdifficultandirksometaskwhichamanagerofatheatrecan,":[192],"perhaps,undergo,arisesfromhisconnexionwithauthors.Toacceptor":[193],"refuseaplayisamatterofmoreconsequencethantheworldingeneral":[194],"imagines.Thewritingadramaticpiece,withouttheassistanceofa":[195],"candidandintelligentmanager,and,perhaps,thefarthersupportofa":[196],"considerableparty,willscarceanswertheviewsoftheauthor.Thetime":[197],"bestowedinrehearsingthepiece,andtheexpenseofnewscenes,":[198],"dresses,music,andotherdecorations,makeitoftenveryineligibletoa":[199],"directorofatheatretoacceptanewplay;especiallywhenitis":[200],"consideredthattherevivingofagoodoldplaywillanswerhisendof":[201],"222":[202],"profit,andreputationtoo,perhaps,aswell....Butthemanagerruns":[205],"theriskofdisobliginganauthorandhisfriends,onwhoseworkhehas":[206],"presumedtoputanegative.CibberandGarrick,whowereauthorsas":[207],"wellasplayersandmanagers,experiencedthemostviolentresentments":[208],"fornotthinkingsowellofawriter'sworkasheandhisfriendsdid.The":[209],"mantowhomnaturehasdeniedthegeniustocomposeaplayorafarce,":[210],"mayhaveabilitiestostrikeoutaverypoignantsatire.8":[211],"Davies,incommonwithmanytheatricalhistorians,assumesthatthe":[212],"managers'negativedecisionswerereliable,basedonliterarystandards":[213],"andashrewdsenseofwhatwouldplaywell.Suchisthemanager's":[214],"prerogative,butitcoversamultitudeofsins,accordingtoother":[215],"accounts.Thoughtherewereundoubtedlymanybadplaysamongthose":[216],"submittedtothemanagers,theremusthavebeensomeworthyofpro-":[217],"duction.Theargumentofbusinesscannotbeuniversallyapplied.Davies'":[218],"argumentistooheavilyweightedinfavourofthemanagers.Notallthe":[219],"satiricalattacksuponmanagerswerelaunchedbywriterslackingdramaticgenius":[220],".Suchcomplaintsbyauthorsrecurfrequently,whichsug-":[221],"geststhattheproblemwasnotsoeasilyreconciledasthemanagersand":[222],"theirapologistswouldlike.FieldingattackstheCibbers'reignasman-":[223],"agersinTheAuthor'sFarce,andotherplaywrightshadtroublewith":[224],"Booth,Rich,Garrick,andSheridan.Fewmanagersescapedsimilar":[225],"criticism.":[226],"Thoughplaysoftenmetwithrejection,Brookewasconvincedthatin":[227],"hercaseGarrickhadactedinahigh-handed,evenoutrageousmanner.":[228],"ThematterwascomplicatedbythefactthatGarrickapparentlykeptthe":[229],"playforsometime\u2014Brookeclaims,withoutreadingit\u2014andreturnedit":[230],"onlyafterhehadproducedSamuelCrisp'splayofthesamenamein":[231],"1754.ThefactthatDrury-LanehadpresentedoneVirginia,andCovent-":[232],"Gardenanothertragedybasedonthesametalein1755(JohnMoncrief's":[233],"Appius)significantlydiminishedthevalueofherownplay.Brooke":[234],"retainedasenseofgrievancethatthepublichadnotbeenallowedthe":[235],"opportunitytojudgeherVirginiainafaircomparisonofstageproduc-":[236],"tions.Exactlywhattheresultmighthavebeenisdifficulttodetermine;":[237],"evenwiththebenefitofhindsightitisnoteasytogetaclearpictureof":[238],"theeighteenthcentury'spopulartasteintragedy.":[239],"Inspiteofseveralfairlypositivereviewsofthepublishedversion,9the":[240],"failuretobringVirginiaontothestagemeantthatitpracticallydisap-":[241],"pearedfromsight.Theextentofthiseclipsecanstillberecognizedinthe":[242],"adjoiningentriesinBaker'sNewTheatricalDictionary:":[243],"Virginia.Tr.byMr.Crisp,8vo.1754.Thistragedyisbuiltonthe":[244],"celebratedstoryofVirginius'skillinghisdaughter,topreserveherfrom":[245],"223":[248],"thelustofAppiustheDecemvir.ItwasactedattheTheatreRoyalin":[249],"Drury-Lanewithsomesuccess,andindeednotundeservedly.":[250],"Virginia.Tr.byMrs.FrancesBrooke,8vo.1756.Thisplay,":[251],"consideringitaswrittenbyalady,isfarfrombeingdevoidofmerit.It":[252],"wasnot,however,broughtonthestage.10":[253],"Theplay'sfateseemstohavepleasedGarrick,whoseaccountofthe":[254],"businesstoMme.Riccobonisometenyearslaterrevealshisconviction":[255],"thatthewayhehadhandledVirginiawasdirectlyrelatedtotheunpleas-":[256],"antnessinOldMaidNo.18:\"IamnotacquaintedwithMrsBrooke:she":[257],"oncewroteaplay,whichIdidnotlike,&wouldnotact,forwhich":[258],"heinousoffence,sheventedherfemaleSpiteuponMe,inapapershe":[259],"publish'dcall'dyeOldMaid,butIforgiveherasthoroughly,asher":[260],"Workisforgotten.\"\"Garrickwiselyrefrainedfromenteringintoapublic":[261],"battlewithBrooke,thoughthereareseveralextantlettersindicatingthat":[262],"thehostilitiescontinued.":[263],"In1773,BrookeformedapartnershipwithFannyYatestomanagethe":[264],"King'sTheatreintheHaymarket,whichhadbeenpurchasedbyJames":[265],"BrookeandRichardYates(Brooke'sbrother-in-lawandYates'shus-":[266],"band).12GenestnotesBrooketurnedhertalentstowriting\"withaviewto":[267],"herstyleofacting.\"13ComparisonofthepartofThamyrisinTheSiege":[268],"ofSinopewithcontemporaryaccountsofYates'sstylesuggestsBrooke":[269],"madeagoodmatch.Herfriend'sstrengthswererageanddisdain,pride,":[270],"violence,andmajesty(thoughherportrayalof\"tenderfeelings\"wasless":[271],"convincing),14exactlywhatactingThamyriswouldseemtorequire.":[272],"TherewereothercircumstancesintheBrooke-Yatespartnershipthat":[273],"mayhaveincreasedGarrick'sirritation.In1766...":[274]},"counts_by_year":[],"updated_date":"2026-09-22T06:50:58.402377","created_date":"2016-06-24T00:00:00"}