{"id":"https://openalex.org/W15537973","doi":null,"title":"Spontaneous music : the first generation British free improvisers","display_name":"Spontaneous music : the first generation British free improvisers","publication_year":2007,"publication_date":"2007-01-01","ids":{"openalex":"https://openalex.org/W15537973","mag":"15537973"},"language":"en","primary_location":{"id":"pmh:oai:eprints.hud.ac.uk:4659","doi":null,"is_oa":false,"landing_page_url":"http://eprints.hud.ac.uk/id/eprint/4659/1/438075.pdf","pdf_url":"http://eprints.hud.ac.uk/id/eprint/4659/1/438075.pdf","source":{"id":"https://openalex.org/S4306401852","display_name":"University of Huddersfield Repository (University of Huddersfield)","issn_l":null,"issn":null,"is_oa":false,"is_in_doaj":false,"is_core":false,"listed_in":[],"host_organization":"https://openalex.org/I133837150","host_organization_name":"University of Huddersfield","host_organization_lineage":["https://openalex.org/I133837150"],"host_organization_lineage_names":[],"type":"repository"},"license":null,"license_id":null,"version":"acceptedVersion","is_accepted":true,"is_published":false,"raw_source_name":"","raw_type":"Thesis"},"volume":null,"type":"dissertation","is_traditional":true,"indexed_in":[],"open_access":{"is_oa":false,"oa_status":"closed","oa_url":null,"any_repository_has_fulltext":false},"authorships":[{"author_position":"first","author":{"id":"https://openalex.org/A5071415623","display_name":"Andrew Edward Callingham","orcid":null,"observed_orcids":[]},"institutions":[],"countries":[],"is_corresponding":true,"raw_author_name":"Andrew Edward Callingham","raw_affiliation_strings":[],"raw_orcid":null,"affiliations":[]}],"institutions":[],"countries_distinct_count":0,"institutions_distinct_count":0,"corresponding_author_ids":["https://openalex.org/A5071415623"],"corresponding_institution_ids":[],"apc_list":null,"apc_paid":null,"fwci":null,"has_fulltext":false,"cited_by_count":7,"citation_normalized_percentile":null,"cited_by_percentile_year":null,"biblio":{"volume":null,"issue":null,"first_page":null,"last_page":null},"is_retracted":false,"is_paratext":false,"is_xpac":false,"primary_topic":{"id":"https://openalex.org/T10941","display_name":"Musicology and Musical Analysis","score":0.9932000041007996,"subfield":{"id":"https://openalex.org/subfields/1210","display_name":"Music"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},"topics":[{"id":"https://openalex.org/T10941","display_name":"Musicology and Musical Analysis","score":0.9932000041007996,"subfield":{"id":"https://openalex.org/subfields/1210","display_name":"Music"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},{"id":"https://openalex.org/T11113","display_name":"Music History and Culture","score":0.004600000102072954,"subfield":{"id":"https://openalex.org/subfields/1210","display_name":"Music"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}},{"id":"https://openalex.org/T11349","display_name":"Music Technology and Sound Studies","score":0.0005000000237487257,"subfield":{"id":"https://openalex.org/subfields/1210","display_name":"Music"},"field":{"id":"https://openalex.org/fields/12","display_name":"Arts and Humanities"},"domain":{"id":"https://openalex.org/domains/2","display_name":"Social Sciences"}}],"keywords":[{"id":"https://openalex.org/keywords/free-improvisation","display_name":"free improvisation","score":0.968999981880188},{"id":"https://openalex.org/keywords/deconstruction","display_name":"deconstruction","score":0.6869999766349792},{"id":"https://openalex.org/keywords/jacques-derrida","display_name":"Jacques Derrida","score":0.9330000281333923},{"id":"https://openalex.org/keywords/avant-garde-music","display_name":"avant-garde music","score":0.8119999766349792},{"id":"https://openalex.org/keywords/free-jazz","display_name":"free jazz","score":0.7570000290870667},{"id":"https://openalex.org/keywords/atonality","display_name":"atonality","score":0.9039999842643738},{"id":"https://openalex.org/keywords/musicality","display_name":"musicality","score":0.6050000190734863},{"id":"https://openalex.org/keywords/rhythm","display_name":"rhythm","score":0.6940000057220459},{"id":"https://openalex.org/keywords/poststructuralism","display_name":"poststructuralism","score":0.7129999995231628}],"concepts":[{"id":"https://openalex.org/C2980749","wikidata":"https://www.wikidata.org/wiki/Q8341","display_name":"Jazz","level":2,"score":0.7346965074539185},{"id":"https://openalex.org/C125468537","wikidata":"https://www.wikidata.org/wiki/Q214961","display_name":"Improvisation","level":2,"score":0.6834840774536133},{"id":"https://openalex.org/C113194728","wikidata":"https://www.wikidata.org/wiki/Q4130159","display_name":"Musicality","level":3,"score":0.6353210210800171},{"id":"https://openalex.org/C558565934","wikidata":"https://www.wikidata.org/wiki/Q2743","display_name":"Musical","level":2,"score":0.5183642506599426},{"id":"https://openalex.org/C107038049","wikidata":"https://www.wikidata.org/wiki/Q35986","display_name":"Aesthetics","level":1,"score":0.5010561943054199},{"id":"https://openalex.org/C2779343474","wikidata":"https://www.wikidata.org/wiki/Q3109175","display_name":"Context (archaeology)","level":2,"score":0.48591747879981995},{"id":"https://openalex.org/C11012388","wikidata":"https://www.wikidata.org/wiki/Q170658","display_name":"Creativity","level":2,"score":0.4659152328968048},{"id":"https://openalex.org/C111472728","wikidata":"https://www.wikidata.org/wiki/Q9471","display_name":"Epistemology","level":1,"score":0.3839660882949829},{"id":"https://openalex.org/C142362112","wikidata":"https://www.wikidata.org/wiki/Q735","display_name":"Art","level":0,"score":0.3720162808895111},{"id":"https://openalex.org/C124952713","wikidata":"https://www.wikidata.org/wiki/Q8242","display_name":"Literature","level":1,"score":0.3608101010322571},{"id":"https://openalex.org/C138885662","wikidata":"https://www.wikidata.org/wiki/Q5891","display_name":"Philosophy","level":0,"score":0.30953162908554077},{"id":"https://openalex.org/C153349607","wikidata":"https://www.wikidata.org/wiki/Q36649","display_name":"Visual arts","level":1,"score":0.28380757570266724},{"id":"https://openalex.org/C95457728","wikidata":"https://www.wikidata.org/wiki/Q309","display_name":"History","level":0,"score":0.25451838970184326},{"id":"https://openalex.org/C15744967","wikidata":"https://www.wikidata.org/wiki/Q9418","display_name":"Psychology","level":0,"score":0.24615126848220825},{"id":"https://openalex.org/C77805123","wikidata":"https://www.wikidata.org/wiki/Q161272","display_name":"Social psychology","level":1,"score":0.08379039168357849},{"id":"https://openalex.org/C166957645","wikidata":"https://www.wikidata.org/wiki/Q23498","display_name":"Archaeology","level":1,"score":0.0}],"mesh":[],"locations_count":3,"locations":[{"id":"pmh:oai:eprints.hud.ac.uk:4659","doi":null,"is_oa":false,"landing_page_url":"http://eprints.hud.ac.uk/id/eprint/4659/1/438075.pdf","pdf_url":"http://eprints.hud.ac.uk/id/eprint/4659/1/438075.pdf","source":{"id":"https://openalex.org/S4306401852","display_name":"University of Huddersfield Repository (University of Huddersfield)","issn_l":null,"issn":null,"is_oa":false,"is_in_doaj":false,"is_core":false,"listed_in":[],"host_organization":"https://openalex.org/I133837150","host_organization_name":"University of Huddersfield","host_organization_lineage":["https://openalex.org/I133837150"],"host_organization_lineage_names":[],"type":"repository"},"license":null,"license_id":null,"version":"acceptedVersion","is_accepted":true,"is_published":false,"raw_source_name":"","raw_type":"Thesis"},{"id":"pmh:hdl:10068/937739","doi":null,"is_oa":false,"landing_page_url":"http://hdl.handle.net/10068/937739","pdf_url":null,"source":{"id":"https://openalex.org/S4377196900","display_name":"OpenGrey (Institut de l'Information Scientifique et Technique)","issn_l":null,"issn":null,"is_oa":false,"is_in_doaj":false,"is_core":false,"listed_in":[],"host_organization":"https://openalex.org/I1295345811","host_organization_name":"Institut de l'Information Scientifique et Technique","host_organization_lineage":["https://openalex.org/I1295345811"],"host_organization_lineage_names":[],"type":"repository"},"license":null,"license_id":null,"version":"submittedVersion","is_accepted":false,"is_published":false,"raw_source_name":"","raw_type":"U - Thesis"},{"id":"mag:15537973","doi":null,"is_oa":false,"landing_page_url":"http://eprints.hud.ac.uk/id/eprint/4659/","pdf_url":null,"source":null,"license":null,"license_id":null,"version":null,"is_accepted":false,"is_published":false,"raw_source_name":null,"raw_type":null}],"best_oa_location":null,"sustainable_development_goals":[],"study_designs":[],"awards":[],"funders":[],"has_content":{"grobid_xml":false,"pdf":false},"content_urls":null,"referenced_works_count":0,"referenced_works":[],"related_works":["https://openalex.org/W140812425","https://openalex.org/W2072218277","https://openalex.org/W2889046469","https://openalex.org/W3034933002","https://openalex.org/W6926583583","https://openalex.org/W2888082837","https://openalex.org/W7010156761","https://openalex.org/W7010605311","https://openalex.org/W4388761597","https://openalex.org/W152448321"],"abstract_inverted_index":{"The":[0,105,280],"British":[1,69,106,151,208,286,320],"free":[2,70,107,152,180,209,225,287,321],"improvisation":[3,71,153,210,254,322],"scene":[4],"originated":[5],"in":[6,194,238,308],"London":[7],"and":[8,23,28,52,62,83,86,90,99,112,123,136,147,164,224,232,244,251,294,338],"Sheffield":[9],"during":[10],"the":[11,19,47,50,77,88,170,179,187,195,199,215,229,270,283,302,309,326],"mid":[12],"1960s.":[13],"In":[14,74],"groups":[15],"such":[16,221],"as":[17,72,132,222,323],"AMM,":[18],"Spontaneous":[20],"Music":[21],"Ensemble":[22],"Joseph":[24],"Holbrooke,":[25],"a":[26,58,110,124,155,166,239,259,316],"distinctive":[27],"ambitious":[29],"musicality":[30,160],"developed":[31,45],"that":[32,67,93,128,173,241],"still":[33],"occupies":[34],"most":[35,265],"of":[36,55,60,115,127,159,169,197,235,248,261,272,282,328],"its":[37,80,264,324],"protagonists":[38],"forty":[39],"years":[40],"later.":[41],"Marked":[42],"stylistic":[43],"contrasts":[44],"within":[46,214],"genre,":[48],"notably":[49],"`atomistic'":[51],"`laminar'":[53],"methods":[54],"interaction.":[56],"Nonetheless,":[57],"consistency":[59],"principle":[61],"practice":[63],"was":[64,242,269],"also":[65,87,247,314],"apparent":[66],"defined":[68],"unique.":[73],"some":[75],"respects":[76],"genre":[78,303],"resembled":[79],"German,":[81],"Dutch":[82],"American":[84],"counterparts,":[85],"jazz":[89],"classical":[91],"avant-gardes":[92],"had":[94],"inspired":[95],"them.":[96],"Both":[97],"conceptually":[98],"practically,":[100],"however,":[101,268],"clear":[102],"differences":[103],"remained.":[104],"improvisers":[108,181,288],"refined":[109],"method":[111],"an":[113,120],"aesthetic":[114],"musical":[116],"creativity,":[117],"which":[118,129,275],"suggested":[119,154],"intimate":[121],"perspective":[122],"detailed":[125],"analysis":[126],"we":[130],"accept":[131],"`music'.":[133],"Its":[134],"techniques":[135],"results":[137],"were":[138],"unconventional,":[139],"but":[140,246],"remained":[141],"consistent":[142],"with":[143,204],"music's":[144],"defining":[145],"concepts":[146],"experiences.":[148],"As":[149],"such,":[150],"more":[156],"inclusive":[157],"model":[158],"than":[161],"is":[162,289],"common,":[163],"implied":[165],"broad":[167],"critique":[168],"cultural":[171],"values":[172],"define":[174],"`music'":[175],"at":[176],"all.":[177],"Though":[178],"themselves":[182],"did":[183],"not":[184],"explicitly":[185],"state":[186],"connection,":[188],"their":[189],"work":[190],"may":[191],"be":[192,305],"viewed":[193],"context":[196],"Deconstruction:":[198],"post-structuralist":[200],"analytical":[201],"strategy":[202],"associated":[203],"philosopher":[205],"Jacques":[206],"Derrida.":[207],"culminated":[211],"from":[212],"innovations":[213],"twentieth":[216],"century":[217],"avant-garde.":[218],"Referencing":[219],"styles":[220],"atonality":[223],"jazz,":[226],"it":[227,276,312,340],"challenged":[228],"aesthetic,":[230],"technical":[231],"hierarchical":[233],"standards":[234],"Western":[236],"tradition":[237],"form":[240],"striking":[243],"extreme,":[245],"logical":[249,317],"development":[250],"focus.":[252],"Free":[253],"owed":[255],"explicit":[256],"debt":[257],"to":[258,304],"variety":[260],"other":[262],"musics;":[263],"singular":[266],"achievement":[267],"redefinition":[271],"`rhythm'":[273],"by":[274],"disguised":[277],"this":[278,299],"fact.":[279],"music":[281],"first":[284],"generation":[285],"reliant":[290],"upon":[291],"precise":[292],"conceptual":[293],"practical":[295],"execution.":[296],"But":[297],"though":[298],"has":[300,313],"enabled":[301],"musically":[306],"innovative,":[307],"long":[310],"term":[311],"become":[315],"problem.":[318],"With":[319],"subject,":[325],"scrutiny":[327],"Deconstruction":[329],"reveals":[330],"significant":[331],"discrepancies":[332],"between":[333],"what":[334,339],"`free":[335],"improvisation'":[336],"implies":[337],"actually":[341],"represents.":[342]},"counts_by_year":[{"year":2025,"cited_by_count":2},{"year":2022,"cited_by_count":1},{"year":2021,"cited_by_count":1},{"year":2019,"cited_by_count":1},{"year":2018,"cited_by_count":1},{"year":2015,"cited_by_count":1}],"updated_date":"2026-09-04T10:56:28.161419","created_date":"2016-06-24T00:00:00"}